Adam reads as many comics as he can afford. Then he reviews one every other week.
Its been a while since we did a comic book review, but this week the finale of Marvel’s The War of the Realms came out with issue #6, so it seemed appropriate to dive into! This event has been the culmination of years of work on Thor from writer Jason Aaron, with interior art on the event by Russell Dauterman, cover by Arthur Adams, colours by Matthew Wilson and lettering by VC’s Joe Sabino.
War has come to Midgard, and the Avengers and the rest of the world’s heroes struggle to fight off the forces of Malakith the Accursed and his allies, who have already laid waste to all of the other realms. Thor hangs from the World Tree in the middle of the sun, seeking an answer for how to defeat Malakith and end the war. Meanwhile Malakith awaits Thor at Stonehenge, where he has his parents Odin and Freya hostage and will kill them unless Thor alone comes to face him.
In this finale, Earth’s forces turn the tide on their invaders. Despite their losses, in New York (the exact centre of the Marvel Universe I believe) Captain Marvel tangles with Sindr, Queen of Muspelheim, while Daredevil (now the God Without Fear) leads the charge against Laufey, the Kind of the Frost Giants. At Stonehenge, Thor Odinson takes an artful interpretation of the fact that only ‘Thor’ can penetrate the magical shield Malakith has erected to bring allies in with him, as both his older and younger selves join the fight, along with Jane Foster: Thor, Goddess of Thunder. Together they take on Malakith and some of his strongest forces to save Odin and Freya and stop the War of the Realms.
The War of the Realms is the payoff of years of work, with possibly more set up than any event comic I have ever read. This is ridiculous superhero comics at its best, and Aaron and co totally stick the landing. With 6 issues they have told a complete story, that not only never felt like it was treading water (as events often do), but was also somehow magically delivered on time (as events never are). Nothing drags, everything is just a constant dopamine hit. Aaron’s character work over years, particularly with Odinson and Jane Foster, is so strong at this point and both have immensely satisfying arcs that finish up here, and have so much potential for the future. Most supporting characters are largely just that in this finale, but a few get the chance to shine (notably Daredevil). But this was always a Thor event. There are just a lot of Thors to share the spotlight.
Speaking of a dopamine hit – Russell Dauterman’s art on this book. Not to take anything away from the more recent arc on Thor, but I loved Dauterman during the Jane Foster era, and it is great to see him stretch into the full Marvel roster. But the scale and magic in this finale are what is truly impressive, from the insides of a boiled sun, to both a storm of gods and a god storm, everything is just gorgeous. And constantly on fire. Wilson’s colours make the art burst off the pages, with a richness of palette that makes the ethereal and the brutal seem real. Sabino’s letter work impresses too, with so much going on and so much being said, it only takes centre stage when it needs to, and remains discretely guiding the rest of the issue.
The War of the Realms has been a triumph of an event, hitting on all cylinders and showing the full scale of how ridiculous and amazing superhero comics can be, especially when you have a great art team that can deliver the insane ideas of the writer to their fullest. I can’t wait to see what is coming next for Thor and Jane, despite the bittersweet knowledge that the story to come in King Thor will be Aaron’s last on the character. Pick this up at your local comic shop now!