Our pal Kit reviews comics for us! This is one of those reviews.
Warning: minor spoilers.
“I’m the relatable super hero with relatable problems! Just ask my long-lost sister from my super-spy parents with Nazi g–.” – Peter Parker
Up for another comic book review this week, and Peter Parker: The Spectacular Spider-Man caught my eye. This isn’t a surprise really as I saw Spider-Man: Homecoming last week and really enjoyed it. As is the usual marketing strategy of course a new Peter Parker as Spider-Man series was launched in time with Spidey’s long overdue solo film in the Marvel Cinematic Universe. This comic was bought to us by:
- Writer – Chip Zdarsky
- Pencils – Adam Kurbert
- Colourist – Jordie Bellaire
- Letterer – VC’s Travis Lahman
Although this isn’t the first issue in the series its pretty easy to pick up what’s going from the first couple of pages – Spidey has come into conflict with Ironheart over a misunderstanding, while he’s trying to get to the bottom of whoever hacked a bunch of old Stark brand phones and made them untraceable for the criminal underworld to use. Although that’s being set up as the long running plot driver, it isn’t really what the issue is about. There’s a lot of catching up going on in this issue, one of the criticisms of the Marvel comic universe is the massive amount of backstory (seeing as the main universe has never been rebooted) that you won’t have when you pick up an issue so you won’t have the full picture on everything. To get around that issues like this exist and we get a crash course in who this version of Peter is, his Nazi fighting spy parents and not-sister etc. We also get to see Zdarsky’s interpretation of Spidey, who is a little bit of a screw-up in this series.
As a tone this is very much a tongue in cheek series, there’s a high degree of self-awareness and jokes at the expense of other events going on in the Marvel Universe.
The art is focused on character interactions throughout this relatively dialogue heavy issue. Action scenes are very much limited, so Kurbert’s line skills for facial expressions and body language are put to the test. He packs a lot of expression into each character and the colouring from Bellaire helps bring these scenes to life and helps bring out the personality in each of the characters. Finally, in conversation-based issues like this lettering is key, and Lahman has done a great job in using the limited space available to properly guide the reader’s eye throughout the issue.
But, the hands. How do they look? I am constantly surprised how much of a difference taking close note of the artist’s hand drawing skills makes. Especially in dialogue heavy issues like this hands portray so much of a character’s personality and add a lot both the conversation and perception of who they are. 8/10 for hand drawing skills!
This is an interesting start, don’t let my references to the amount of dialogue put you off. There is an interesting plot brewing here and the light hearted tone of the comic is refreshing when read at the same time as something like Secret Empire.
Score: 8 Really Expensive Coffees out of 10