Comic Review – Dark Days: The Forge #1 (DC Comics)

Adam reads as many comics as he can afford. Then he reviews one every other week.

This week I checked out the ludicrously titled Dark Days: The Forge, the one-shot prelude to the upcoming equally ludicrously titled Dark Nights: Metal series from DC Comics. It has been oddly under-marketed it seems, and I was only made aware that it was coming and that it was being released this week because I follow Scott Snyder on Twitter. Dark Days: The Forge was written by Snyder and James Tynion IV, with the art by Jim Lee, Andy Kubert, John Romita, Jr., Scott Williams, Klaus Janson, Danny Miki, Alex Sinclair, Jeremiah Skipper, and Steve Wands.

Cover by Lee, DC Comics

Dark Days jumps between three main narratives. First is Carter Hall, or Hawkman, almost as a journal entry as he recaps his life (or lives) and his curse, the Nth metal that grants him rebirth and how he is tied to his love Shiera and the villainous Hath-Set. But there he also has impossible memories shimmering in the background, memories that look like a dystopic future in the grip of one he would call an ally.

The other two narratives, taking place in the current day, tie in a little more closely (for now). Batman rescues a scientist from a Wayne blacksite as a volcano erupts. He has been investigating metals, and something is wrong with the metal of the Earth. Batman’s investigation seems to not only go beneath the Earth’s crust, but to the surface of the Moon (well, a Batcave on the Moon), to another universe, and to a secret vault in the Fortress of Solitude as well. Meanwhile, the Guardians send Green Lantern Hal Jordan back to Earth, to investigate the Batcave itself. There, with current Bat-sidekick Duke Thomas, he finds a secret Batcave within the Batcave, indicating that Batman has been investigating something for a long time with a secret team, without letting the Justice League or the Bat-family know about it. Whether he can be trusted remains to be seen, but Hal doesn’t seem to be the only one troubled by all of this.

Dark Days: The Forge is a very strong opening to Metal, and with Scott Snyder re-teaming with his Batman collaborator Greg Capullo (oddly absent on this issue) for it, it is sure to be a blockbuster event. Snyder and Tynion IV have both written Batman in one form or another for a while now, so it doesn’t come as a surprise that they have a firm handle on his character and dialogue. Its nice to see a similar care and approach taken to some of the other cast members here, including those seen less often such as Mister Terrific and Mister Miracle. At its core, this series appears to be shaping up as a Batman-centric Justice League event, rather than just a Batman story. And that is important, as there is a worry and a tendency to remove some of the appeal of Batman by making him almost godlike, or making his origins stretch back to the dawn of time (looking at you Morrison). I hope this series doesn’t dip too far towards that, but for this issue it doesn’t rear its head too much. The ongoing mystery of the metals takes cues and threads from throughout Snyder’s run on Batman in such an impressive fashion too, that I can’t help but be drawn in by what it all might mean.

Interior art by Romita Jr, Lee & Kubert

Considering the talent from the art team, the only real negative point I can make is that with Kubert, Lee and Romita Jr all putting in an appreciable number of pages into the book, the art does come off as inconsistent from a stylistic perspective. It is however, consistently very good. Hawkman’s memories by Kubert retain a classic feeling with clear, bold line work, while the lunar character interactions and the volcano escape from Romita Jr feel a little more loose, and the epic scale visions and dark cave scenes show off what makes Lee’s style so iconic for superhero work.

Dark Days: The Forge is a very strong prelude to an event that I know very little about, but the creative team behind it guarantees I’ll be checking it out. This taste has only made me all the more excited about it, especially with the return of Snyder and Capullo for the first time since the end of their run on Batman. Check it out at your LCS or digitally now!

Score: 8 METALS out of 10


Comic Review – Superman Unchained #9

Adam reads as many comics as he can afford. Every week he is going to attempt a mini review of his favourite one, with potential minor spoilers.

Slightly more major spoilers than normal.

This week saw the finale of the Superman Unchained series with issue #9. The whole arc was published by DC comics, written by Scott Snyder with pencils from Jim Lee, inks by Scott Williams and colours from Alex Sinclair, and in this issue the lettering was done by Sal Cipriano, with the flashbacks interspersed throughout illustrated by Dustin Nguyen, amd colours from John Kalisz. Back when this series started in June last year I was particularly excited, so I thought it would make sense to review the final issue.

Superman Unchained is a stand alone tale with the Man of Tomorrow facing off against a terrorist cell known as Ascension, Lex Luthor, the army and their own superhuman Wraith: an alien being with abilities similar to Superman, yet more powerful and knowing seemingly more about Kal-El than he does. Throughout the series, Superman fights and teams up with almost all of these characters, none of whom are particularly trustworthy. Luckily he does have his fellow Justice League heroes Wonder Woman and Batman lending some assistance, as well as Lois Lane, none of whom are useful at all in this finale. Wraith’s people are on their way to Earth to take it over, having seeded it years ago with Wraith himself. This fact is relayed to everyone by Luthor, who appears via a hologram from the comfort of a high back chair sipping wine to pontificate, sneer and suggest a way of stopping the huge alien armada – providing Clark with a solar fuel injection that will cause him to explode amidst the fleet, with a strength “six thousand times the power of Hiroshima and Nagasaki combined.”. Superman being the hero that he is, he flies straight into space to do just that. However, there he is met by Wraith, who takes on that burden himself and throws Clark free, detonating himself and saving the world.

There was a lot happening here, and I’m not entirely clear on everyone’s motivations. Wraith remained fairly unknown right up to the end, and I don’t think I really understand why he took Superman’s place and attacked his own people. His whole life Wraith had been a weapon, aimed by the US government. Maybe his end is his opportunity to make his own choice, not to be used as a tool to hurt innocents again. The issue itself and the story felt somehow incomplete, possibly due to a lack of significant action. Perhaps the huge brawl Superman had against Wraith a few issues back should have been closer to the end, but this feeling may actually be due to the various delays that the release of this book has had throughout its run. I think that is probably the main complaint I have about this series, as it has taken nearly 17 months for all 9 issues to come out, without any specific reason for the delay (though I think I have a pretty good guess). My own terrible memory and attention span means that I don’t actually remember a great deal of this series, and I think my overall impression of this issue would probably be much more positive once I sit down and re read the whole run.

Luthor’s monologue about Superman, only briefly interrupted to allow for the final showdown to breath, was particularly enjoyable. While told from Lex’s bitter outlook, it does still hint at what I liked most about this series as one of the most likeable, interesting Superman stories since the New 52 started. It certainly feels the most spot on for characterisation, allowing Clark to shine as the hero he really is. I’ve always enjoyed Snyder’s character work, so that didn’t really come as a surprise to me. I will say that as this series seems largely unconnected with the rest of the DCU at the moment, more risks could have been taken with the ending. In superhero comics it is rare that the hero actually dies at the end, mainly because there is no real end, but in this case it could have remained a possibility. Jim Lee’s art was very enjoyable here as usual, with the close up full page splash of Superman crashing through some asteroids, immediately followed by the second splash page now pulled back to see him roar through space, being my particular highlights. The inks and colours brought all of this to life with a clear vibrancy that really stood out from the page during the big action scene with Superman, Wraith and the ships. The flashback sequences by Nguyen, while very different, looked great too, but broke the flow of the read a little bit. Overall though the art was very strong.

I did enjoy this issue, and I worry that I have been too harsh on it. As a series overall I would give it a 9/10 (and you should definitely pick the collection up when it comes out next month), and with a re read I may feel more generous towards this issue too with the rest of the story more fresh in my mind. It is still a decent end to a great series, and I wish that it was going to carry on as an ongoing (just without the delays!). Check this out at your LCS or digitally.

7.5 Bagels out of 10