Comic Book Review – Thor #1 (Marvel Comics)

Adam reads as many comics as he can afford. Then he reviews one every other week.

This week I read Thor #1 from Marvel Comics, the latest relaunch for the God of Thunder under Jason Aaron. Mike del Mundo provided art for part one, ‘God of Thunder Reborn’, with colour assists from Marco D’Alfonso, and Christian Ward drew part two ‘The Grace of Thor’, with letters on both by VC’s Joe Sabino.

The Mighty Thor is dead. Long live Thor. In ‘God of Thunder Reborn’, after the defeat of Mangog and the destruction of both the hammer Mjolnir and Asgardia, Jane Foster has reluctantly stepped down as Thor to finally focus on the treatment she needs for her cancer. The Odinson has taken up his old mantle again, with a fancy new golden arm and a lot of hammers, and with Jane’s direction he is tracking down displaced Asgardian artefacts before they fall into the wrong hands. Meanwhile, the bifrost is under repair, and until it is fixed there is no way of accessing other realms – a big problem, as Malekith the Accursed wages his War of Realms and Thor is powerless to stop it.

In the second story, ‘The Grace of Thor’, a one eyed old Thor and his grand daughters are watching over a rebooted Midgard. After all life ended on the planet long ago, now over 200 years have passed since they seeded life there once again in the forms of ‘Jane’ and ‘Steve’. As Jane dies, Thor sombrely reveals the state of the afterlife, before flying to the edge of the universe, which is rapidly ending. And there he meets the final incarnation of the Phoenix.

I hope Jason Aaron keeps writing Thor comics for a good long time yet, regardless of who Thor actually is. The arc of Jane Foster as Thor was wonderful, and enjoyed a satisfying wrap up too while not ending her story within this world. The Odinson slipping back into being Thor seems effortless, but to maintain his God of Thunder status he seems to be effectively supported by his own version of MI6, with Jane filling the role of M, and Odin and Screwbeard outfitting him with gadgets and magics in place of Q. It means that the usual brawns over brains approach needs to be taken with an element of improvisation rarely seen from this Thor. Aaron’s script is excellent, unsurprising as these are characters he has been in charge of for years now, but the new status quo of Thor and his supporting cast is still fitting in to the ongoing narrative of the plot he has been driving for a while now.

Mike del Mundo’s art is otherworldly, and yet feels very at place here. I feel that he is even better placed on Thor than his recent run on Avengers. There are some stellar action scenes in ‘God of Thunder Reborn’, but the quiet moments in the Brooklyn resettlement of Asgardian refugees works very well too, bolstered by the warm colours that often accompany del Mundo’s pages. For ‘The Grace of Thor’, Christian Ward’s skills are perfectly suited to the grand space sequences on display, from fighting a space shark to speeding to the universe’s end, and these pages are awash with cleaner colours than the first part that suits the story just as well. Rather than feeling jarring having two stories in one issue, the two artists sync right up with their respective tales, enabling them to complement each other.

To say Thor #1 is a great start would be disingenuous and a disservice to all that came before it from Aaron and the other great artists who have shaped his run on Thor. More this is a great continuation that may serve as a jumping on point for anyone who has slept on the series up until now (but if you have you should absolutely go back and read it all in trades). I’ll miss the Goddess of Thunder, but I suspect that we haven’t seen the last of her. Regardless, get this at your local comic book shop or online!

Score: 9 Asgardian Artefacts out of 10

Comic Review – The Mighty Thor #703 (Marvel Comics)

Our pal Kit reviews comics for us! This is one of those reviews.

Warning: minor spoilers.

Normally I would try to avoid reviewing a comic well into the swing of a story arc, but one of my regulars today really stood out as both an issue and an arc I want to say my piece on. The Mighty Thor has been an outstanding series of comics, once Jane Foster taking over the mantle of Thor after the Odinson became unworthy Marvel have done an incredible job in portraying a different kind of Thor throughout compelling narratives and great character development. The reason I’m highlighting this issue in this arc is it appears Jane Foster’s run as the Goddess of Thunder is coming to an end (seeing as the arc title is ‘The Death of the Mighty Thor’ this shouldn’t be too much of a spoiler). This comic is bought to us by:

  • Writer – Jason Aaron
  • Artist – Russell Dauterman
  • Colourist – Matthew Wilson
  • Letterer – VC’s Joe Sabino

There has been a built up to one hell of a confrontation in this comic – Thor vs the Mangog, for those not familiar with the Mangog it’s a monster that comes back time and time again to murder and destroy as many Asgardians as it possibly can. Jane Foster however, is still fighting her own battle against cancer, which isn’t going so well. This issue really feels like this will be it, soon Jane will need to choose whether or not to pick up the hammer one last time and likely not survive or to hang it up and step down as Thor. Personally, I’ll be very disappointed to see her go, assuming she does. Jane Foster as Thor has been a favourite of mine since she took up the mantle, and I had been hoping the Odinson would get his hands on another hammer (there is more than one of them kicking about at the moment!) and for the both of them to share the role. As you may be able to tell by my prioritising this issue, it does feel like there’s an emotional weight to this and I am hoping Jason Aaron can keep up to the standard set by The Mighty Thor run and give Jane/the Goddess of Thunder the send-off she deserves (assuming again, this does happen!)

Dauterman and Wilson’s art has to juggle two tones of story – one where Jane is battling cancer and facing the decision of her life and one where the Mangog tears through Asgard. To me, they handle this well, with duller tones during the Jane Foster focused panels and vibrant bright tones in Asgard. The Mangog is very, well, orange and is a villain who could easily look a bit ridiculous if handled incorrectly, but I think the artists do a great job in portraying how terrifying it must be to stand up against. I also very much enjoyed Sabino’s lettering, and the panel breaking screams during the battle between Asgardians and the Mangog.

Final Verdict

The build up to the finale for The Mighty Thor is showing a lot of promise, Jane’s characterisation and how caught she feels between her two lives is very compelling. While I don’t want to see the Mighty Thor go, this run of comics has been successful and in both Marvel and DC characters do happen to have a habit of coming back… like the one who gets a cameo on the final page!

Score: 9 Rainbow Bridges’s out of 10

Comic Review: Generations: The Thunder #1 (Marvel Comics)

Adam reads as many comics as he can afford. Then he reviews one every other week.

While Marvel wraps up their current event, Secret Empire, they are already laying the groundwork for their next event, Marvel Legacy, that will apparently smash together classic characters and their more recent legacy counterparts into a new status quo. This starts with the Generations one-shots, where the current and classic versions of several of Marvel’s most recognisable characters team up for a short adventure. My first foray into this is The Thunder, written by Jason Aaron and drawn by Mahmud Asrar, with colours by Jordie Bellaire and letters from VC’s Joe Sabino.

“The Vanishing Point – An instant apart! A moment beyond! Loosed from the shackles of past, present and future – a place where time has no meaning! But where true insight can be gained! Make your choice! Select your destination! This journey is a gift…”

The Thunder, you may be able to guess, is a Thor-centric comic starring The Mighty Thor Jane Foster, who is the current wielder of Mjolnir and Goddess of Thunder, and The Unworthy Thor, who is the Odinson without the hammer. But not the current Odinson (recently star of a comic called The Unworthy Thor), instead this is Thor before he could ever wield Mjolnir but is still called Thor. It’s confusing.

Odin chastises his son for trying to lift such a dangerous weapon again, and summons him to greet some guests in the great halls of Asgard. But Thor, answering prayers from a group of Vikings set on invading Egypt, speeds off on goat-back to aide his faithful. There he finds Apocalypse, and has quite the fight on his hands. Until a time-displaced Jane Foster arrives to help out. After a little confusion, the pair waste little time in bringing the thunder.

Jason Aaron has been writing Thor (both Odinson and Jane Foster) for a while now, and continues to surprise, especially in how much variation he brings to the various levels of youthful arrogance the Odinson has over the millennia. And the pair are both reminded of what is key to any Thor, and that is humanity. The Thunder is incredibly fun, which is what these Generations books should be aiming for. As for the mystery of why Jane Foster was thrust back in time, or those final pages with Odin? I think we will find out in Legacy, and perhaps what The Vanishing Point is at the end of Secret Empire. At least this year’s event isn’t overrunning and hanging over the ongoing state of the Marvel Universe quite so much as last year’s Civil War II.

Key to Aaron’s enormous success to date with writing Thor comics is being paired up with artists who deliver on his vision and make the gods of thunder seem real. Mahmud Asrar draws jaw-dropping action worthy of those who have come before, and the splash pages are gorgeous to behold. Jodie Bellaire as usual brings colours in that only make the art better, with the lightning almost jumping off the page.

I have no idea where Legacy or the Marvel Universe is currently headed, but if it as fun as The Thunder then I can’t wait.

Score: 9 Ugly Men out of 10