Comic Book Review – Hulk #3 (Marvel Comics)

Our pal Kit reviews comics for us! This is one of those reviews.

Warning: minor spoilers (including Civil War II spoilers)

“What’s worse? Dying? Or getting that close to death… and getting turned around… and dragged back into the world…” – Jennifer Walters

 

Issue #3 of Hulk caught my eye this week. Partially because Jennifer Walters was on the front cover and I’ve always found She-Hulk to be that little bit more engaging than The Hulk himself, and the simplicity of the title. Only Hulk, not Incredible, Unstoppable etc. With so many the Adjective Super hero comics out there one with such a simple name stands out. This comic was bought to us by:

Cover by Jeff Dekal

Cover by Jeff Dekal

  • Writer – Mariko Tamaki
  • Artist – Nico Leon
  • Colour Artist – Matt Milla
  • Letterer – VC’s Cory Petit

We pick things up with Jen after the end of Civil War II. She had been knocked into a coma during the war, and her cousin Bruce’s death served as one of the key catalysts to the whole battle. I didn’t read Civil War II myself, so I was playing a little catch up here in learning the background to the comic. You don’t need to know too much of the detail though to understand the story telling approach taken by Tamaki. Jen is dealing with a hell of a lot. Work is both uninspiring and too much at the same time and she always looks tired, finding it hard to engage with her friends. In the mean-time crime is still taking place in New York, and conspiracies as always are developing.

Art by

Art by Leon & Milla

The art is bright and simplistic throughout. I think this was done to create that artificial light feel anyone who’s working into the evening on a winter’s night in retail will know well. It slightly clashes with the mood of the comic, which in actually helps set the tone. Jen is pushing on and trying to get back to day to day life because she has to. She has to keep at it even when it’s the last thing she wants. Even so, this approach by Milla may not be for everyone. Leon did a great job in portraying Jen throughout the issue. His line work leaves her looking exhausted throughout and as if she cannot be bothered to deal with people.

However, even a Hulk has hands. How well are they drawn this issue? This is not a combat issue at all. There’s no action to speak of and character interactions are entirely social. Hands are well used to convey emotion throughout the issue, however Leon and Milla’s art style is light on detail. Although hands are drawn well there are not many knuckles in this issue. 8/10 for hand drawing skills!

Final Verdict

I always enjoy a character exploration issue. It did take me a moment to catch up with things not having read Civil War II, however if this series continues along its initial set up we may be treated to a deeper engagement with Jen’s personality. I would like to see more Hulk myself too. For a series simply named Hulk, it was a little light on Hulk.

Score: 8.2 Hairnets out of 10

 

Comic Book Review – Star Lord #1 (Marvel Comics)

Our pal Kit reviews comics for us! This is one of those reviews.

Warning: minor spoilers.

“It’s not MY fault, I’m stranded on Earth with your STUPID drinking rules!.” Star-Lord

With the trailers for Guardians of the Galaxy 2 both out and a huge success I thought I’d pick up with Peter Quill in the main comics this week. Marvel are starting a new solo run with this Guardian of the Galaxy, bought to us by:

  • Writer – Chip Zdarsky
  • Artist – Kris Anka
  • Colourist – Matthew Wilson
  • Letterer – VC’s Cory Petit
star-lord-cover

Cover by Anka

We pick things up after the events of Civil War 2. It’s not something you need to know the background on fortunately, we do find out early on though that the Guardian’s ship has been wrecked and Peter is stranded on Earth. Which he’s spending his time doing exactly what I plan to on Christmas Day – drinking far too much before lunch. He tries to make the best of things while he’s stuck on Earth by reconnecting with friends and getting out for a bit.

The scope of the comic is small, Star-Lord isn’t adventuring around the universe saving everyone but trying to cope with being bought down to Earth, literally. It doesn’t help that he is not the most popular vigilante amongst Marvel heroes. I wasn’t familiar with Zdarsky or Anka’s work before this comic, however their take on our hero trying to deal with day to day life is a great way to introduce new readers. We’re also treated to a couple of cameos which lighten the overall sombre mood of the comic.

star-lord-interior

Art by Anka, Wilson & Petit

The art at first appears simple but effective, but manages to match the fluctuating mood throughout the comic – light and fun to sombre and tense. The colouring feels very clean as well, Wilson and Anka teaming up to deliver a sense of texture and detail to the panels. Petit keeps the lettering minimalist to allow for broad and colourful scenes throughout the issue. Star-Lord also spends a fair bit of time shirtless if that’s your thing. However, although Anka and Wilson are great with chests, how are they with hands?

Can Anka draw hands? Being critical there are a couple of instances where the hands aren’t quite up to the rest of the art. That isn’t to say they’re bad as such, but simply aren’t quite as good as the rest of the art throughout the issue – one passer by caught in a cross fire and in a guest appearance by Wolverine his claws appearing to come out of his fingers Lady Deathstrike style, 7/10 for hand drawing skills!

Final Verdict

I really dug this as a start to a new series. Focusing on the small stuff and giving us a character in a more relatable environment helps make them more human and gives a surprising weight to the situation when things do go to hell. The writing and art team have also got off to a promising start and I’m looking forward to the rest of the work they can deliver.

Score: 8.75 Sarcastic Voice Messages out of 10

 

The Lost Lighthouse: The Weekly Rapture 66 – People Are Awful

Welcome back to The Weekly Rapture, brought to you by The Lost Lighthouse.

This week Gary and Adam chat about Marvel’s ‘Divided We Fall’, the removal of Alien 3 and Alien: Resurrection from the canon, Preacher (with a minor spoiler sort of) and the official announcement of the Bioshock Collection, while Adam watches a cartoon that is 8 years old and Gary is somehow responsible for the EU Referendum result.

No main talking point this week!


Download this episode (right click and save)

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Early sketch of the Captain America statue due to go up in Brooklyn this year

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Comic Review – Civil War II #0 (Marvel Comics)

1

Our pal Kit reviews comics for us! This is one of those reviews.

Warning: Minor Spoilers.

“We have to allow for freedom of thought, because if we do not we are not a free people” Jennifer Walters

Me again people, Adam will be back next week to cover the first issue of DCs Rebirth series. In the meantime Marvel are kicking off their own comic book event, Civil War II. Which just so happens to be kicking off shortly after Captain America: Civil War proved to be a success (for anyone curious after Adam and my review of Batman vs Superman, Cap 3 was HUGELY better and an excellent film).

CWIIFISo, this week issue #0 was released, following the current trend in releasing a #0 issue of a series to set the scene before everything kicks off. Written by Brian Michael Bendis, with art by Olivier Coipel and Justin Ponsor, Civil War II sets a scene where yet again tensions are heightening between those who believe in freedom and those who believe in security. However, instead of the Captain America vs Iron Man we’re familiar with, the story kicks off with one of my personal favourite heroes – She Hulk. She’s doing her thing, defending the innocent, literally, in court in her capacity as a lawyer defending The Jester who’s been arrested for discussing crimes he may commit. That’s her defence at least. He spoke about crimes, he didn’t commit any and convicting him for that would be a breach of his freedom of thought.

Meanwhile, Captain Marvel is having a discussion with Doc Samson, about how despite how many super heroes there are keeping the world safe is getting harder and harder. The Ultimates and having to intervene pre-emptively to prevent disaster at times. We also see Ulysses, a teenager who’s getting caught up in the Terrigen Mist which turns certain people into Inhumans. Finally, Rhodey is meeting with the President of the United States, who is trying to kick start Rhodey’s political career (before Tony Stark gets funny ideas about running for president!)

CWIIThe stage is set, we can see key members on each side and it looks like key issue will be pre-emptively stopping crimes with She-Hulk against and Captain Marvel for. War Machine and Ulysses are yet to pick side but will be key players. I really enjoyed Jennifer’s speech about freedom of thought, an issue very relevant in the real world and providing another conflict that isn’t a rehash of the first Civil War.

Coipel and Posnor’s art is excellent here as well. Despite there not being much super hero action taking place, the strong character work from Coipel, facial expressions and the cinematic scope and renderings give the issue a sense of scale. Posnor’s colours add to this cinematic feeling, with She-Hulk’s visit to the S.H.I.E.L.D. Helicarrier almost shining with lens flare above the clouds, or layering thick shadows into Rhodey’s meeting with the President.

Final Verdict

The stage is set for Civil War II, we haven’t had the final spark to set things off but it’s only a matter of time. It’s also good to see different heroes in the limelight this time, now if only we’d get an MCU She-Hulk film!

Final Score – 8.5 Drunk Shi’ar out of 10!