Adam reads as many comics as he can afford. Every week he reviews of one of them, with potential minor spoilers.
More Secret Wars tie-ins are coming out from Marvel every week, with varying quality and relevance to the main event series. Some are entirely new concepts, while some have been based on classic storylines that are being retold or continued, like Old Man Logan or Planet Hulk. So far I’ve enjoyed everything I’ve tried, but the Secret Wars series itself is especially strong for a summer event. This week Civil War #1 came out, a new spin and continuation of the hugely popular 2006 series by Mark Millar and Steve McNiven. This new series was written by Charles Soule, with pencils by Leinil Francis Yu, colours by Sunny Gho and letters from Joe Sabino.
Civil War follows the original plot of the Superhuman Registration Act, a government initiative to have all masked heroes have their identities known to the government and to be trained properly before going out to fight crime. Tony Stark thought this was all a great idea, while Steve Rodgers (quite rightly) considered this a breach of civil liberties, leading to most of the heroes of the Marvel Universe siding with Iron Man or Captain America and fighting it out. In the original series, the Civil War eventually ended. Not so in this new tale (which bears the Secret Wars banner on the cover and the same intro, but seems totally unconnected to the Battleworld).
The story picks up during the prison clash, but this time the prison detonates and many heroes are killed, along with 15 million others in the city. 6 years later the country is divided. Literally divided down the middle, with the east side of the USA dubbed ‘The Iron’ and led by President Stark, and the west presided over by General Rodgers, known as ‘The Blue’. After all these years a peace treaty is organised on the bridge where the two sides meet. Each man is joined by one of his most trusted compatriots, the former by She-Hulk and the latter by a Peter Parker in what looks a lot like MCU Falcon gear (presumably because The Blue seems like a lot of open expanse, not a lot of buildings to web sling around). Steve and Tony meet and discuss terms, more land for The Iron, more resources for The Blue. But before they can get any further an attempt is made on Cap’s life, and the negotiation breaks down as soon as it has started. He and Peter depart, certain that the war can only end one way.
The potential for these retellings of classic stories that has come out of Secret Wars has been exciting to see, providing the opportunity for these tales to go towards a far more extreme end, rather than something that shakes up the MU status quo in some small way before ultimately being righted or changed again due to the nature of serialised superhero comics. Soule has done just that in Civil War, taking what was already a fairly bleak and grim story and making it even more so, resulting in an America that we never would have seen in the original story without it being savagely retconned a few years later. While there are a few narrative jumps as to how we got there, the real meat and strength of the issue comes when the two former comrades are negotiating. The character work is great, and there are some nice concepts like The Punishers and the Bullseye Boys teased which could be a lot of fun in the later issues. Yu’s art shines when showing off the landscapes of The Iron and The Blue, the latter particularly looking desolate but beautiful. The grizzled look of the two men, especially Stark who is starting to look a lot older even in 6 years, adds weight to the never ending conflict between them.
Civil War is a great ‘What if?’ tale if the question you ask is ‘What if the original Civil War never ended and was also far more depressing with loads more death?’. You don’t need to be reading Secret Wars
to enjoy it, and the writing and art are both very solid. Check this out at your LCS or digitally.
Score: 7.5 SHRAs out of 10