Comic Review – Marvels Epilogue (Marvel Comics)

Our pal Kit reviews comics for us! This is one of those reviews.

Warning: minor spoilers.

“The police moved us off, taking control of the scene. And Jenny and Beth wanted to see EVERYTHING” Phil Sheldon

Art by Alex Ross (Marvel)

This week I had the chance to pick up the Marvels Epilogue, the stand-alone sequel to one of Marvel’s most iconic series. The classic Marvels tale is being re-released this year to celebrate the 25th anniversary since its first circulation. This epilogue provides a follow up to see the end of Phil Sheldon’s (the lead character) story and yet another classic Marvel event for him (and his family this time) to bear witness to.

This comic follow up was written by the original team:

  • Writer – Kurt Busiek
  • Artist – Alex Ross
  • Further Research: T.J Ross; Mark Kolodn;, Lisa and Keneu Luna; Devon Chulik; Alanna Smith; Meghan Khameral; Steve Darnell

Phil Sheldon, the photographer who documented the lives of the ‘Marvels’ of Universe 616 takes a chance to take his mind off work and the wonders and terrors of the Marvel Universe. We get to see another classic Marvel event kick off though – when Sentinels face off against the X-Men. Their powers are on full display as the X-Men beat back their foes. Phil’s daughters are captivated by the spectacle in front of them and react the same way actual kids and adults (definitely myself!) respond to Marvel’s films. Additionally, we are treated to wonderful little cameos by many classic Marvel characters – everyone from X-Men to Nick Fury and even Clark Kent and Lois Lane sneaking into the top panel of page four.

Art by Alex Ross (Marvel)

Ross’s art is beautiful, it’s telling that Kent and Lane are immediately identifiable, although Ross really gets to strut his stuff when portraying Storm’s transformation sequence. The detail and expression throughout the issue is wonderful with each page packed with visual information. Ross’s art is a favourite of mine and he really shines in this issue as he did in the original series. There’s a two page spread right at the end which provides a highlight reel of the series, with classic images such as the human torch ablaze.

The atmosphere of the comic is once of celebration with Sheldon’s love for his family and the world he lives in shining through. We also see wonderful characterisations for even small cameos such as a young and very eager to help Nova who wants to get involved, or Wolverine looking for a light.

The second half of the issue contains interviews, sketches and is packed with bonuses and Easter eggs.

Final Verdict

The only criticism I can give of this issue is that I wish it was longer. It’s a wonderful throw back to the classic Marvels series and provides a well rounded finish to a classic story.

Score: 10 Marvels out of 10

Comic Review – Savage Sword of Conan #1 (Marvel Comics)

Our pal Kit reviews comics for us! This is one of those reviews.

Warning: minor spoilers.

“Know, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars… Hither came Conan, the Cimmerian, black haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jewelled thrones of the Earth under his sandaled feet.” – The Nemedian Chronicles

Cover by Alex Ross (Marvel)

When I was looking for a new series this week, the brutal cover art of Savage Sword of Conan caught my attention. My main memories of Conan are of Conan The Adventurer, the 1997 TV series that was on when I was a kid. I don’t remember too much of it, other than Conan being tough as nails about 98% muscle. I definitely enjoyed it as an 11 year old, but who knows if it will hold up 20 years later.

This comic is bought to us by:

  • Writer – Gerry Duggan
  • Artist – Ron Garney
  • Colour Artist – Richard Isanove
  • Letterer – VC’s Travis Lanham
  • Cover Artist – Alex Ross

Conan is sitting in a life of luxury, a beautiful woman beside him, a feast before his eyes, drinks a plenty and a roaring fire… except something is wrong, the smell and the taste are most foul… Conan is actually awash at sea, shark meat in his mouth, at the whims of Crom, perhaps the front runner for least sympathetic god I’ve come across in comic books. The tone of the comic book is absolutely reminiscent of the TV show I remember. It sets up the story for a brutal adventure that will take all of his strength and fortitude to survive. Conan is thrown right into the deep end, finds himself with literally nothing yet turns the situation around in no time, only to face harder and harder challenges.

Art by Garney, Isanove & Lanham (Marvel)

The dark tone of the comic is emphasised by Garney’s masterful artwork. There is a fantastic two page spread where Conan is close to death and recovering slowly, in and out of consciousness. The panels alternate between chilling artwork and black panels with simple text between them. This array in the comic shows off the skills of Duggan’s story writing, Garney’s art, Isanove’s rich colours – his shadow work in particular building the grungy, darker tone and Lanham’s lettering very effective in its simplicity. When the story gets more monstrous Garney and Isanove work well together to bring the beasts to life.

Final Verdict

If you want a change from the regular super hero comics, that still feels properly epic in scale with high stakes then Conan fits the bill perfectly. The adventurous tone of the comic book makes it a fun, if dark at times, romp. The series has the classic feel of sword and sorcery and feels a lot like a solo player DnD campaign. The art is also outstanding and is set to be a real highlight of this series.

Comic Book Review – Captain America #4 (Marvel Comics)

Adam reads as many comics as he can afford. Then he reviews one every other week.

This week I’m reviewing Captain America #4 (or #708 with Legacy numbering), written by Ta-Nehisi Coates, with pencils by Leinil Francis Yu, inks by Gerry Alanguilan, colours by Sunny Cho and letters from VC’s Joe Caramagna, with cover art by Alex Ross.

Cover art by Alex Ross

Steve Rogers is still trying to make up for what was done in his name, and with his face, when Hydra took over the United States. He’s lost the trust of his government and the American people, and is now rushing to the aid of Sharon Carter, Agent 13, who has been working with the government and has been captured during her latest mission. Cap goes in alone, tearing his way through a base full of goons before coming up against an opponent who’s battle abilities rival his own. Meanwhile Sharon is questioned and tortured by members of the mysterious Power Elite, the next group who are looking to take over the US!

Coates’ run so far on Captain America has been thrilling, and in this issue he shows off a deep and clear understanding of the character, as Cap narrates over his fights. See Cap is an idealist, and truly believes in America and the ideals it should stand for. It’s why he is the Captain of it. But his issue increasingly lies with people who call themselves patriots but act like nothing but, people who “swear by the flag one day, and set it on fire the next”. Even without a familiarity with Coates’ non-fiction writings (with which you should get acquainted), it’s difficult not to see the commentary here on the current climate in the United States. The plot here is good, and it’s ties some of the best Cap stories in the past 20 years is a big plus, but it’s the characterisation of Steve Rogers this commentary that makes the book shine. More is being done and said with the aftermath of Secret Empire here and with a more deft hand than in the event itself.

Art by Yu, Alanguilan, Cho and Caramagna

Yu’s Cap is fierce with a real sense of power. For such an action-heavy issue, nothing drags and it feels kinetic and brutal. At the same time, the interrogation scenes with Sharon are dark and ominous, allowing the threat level in both scenes to come through very strongly. The colours are slightly washed out and dulled, which suits the tone and the base environs of the issue.

Coates and Yu’s Captain America is my favourite book on the stands right now, and goes to the top of my reading pile whenever it comes out. The art is strong and the plot and character musings are incredibly timely. Don’t sleep on this. Pick it up at your LCS, and the first 3 issues if you haven’t already read them!