Our pal Kit reviews comics for us! This is one of those reviews.
Warning: minor spoilers.
“I love Gotham” – Jack Napier
Batman is bad for Gotham City, he creates criminals, causes unquantifiable amounts of property damage and makes it so much more of a dangerous place. You may have come across some of these points before (see this Episode of Cracked After Hours if you need refresher: https://www.youtube.com/watch?v=Cd1sIwCLtIc ). Sometimes you have to wonder what publishers or owners of iconic heroes think of this sort of criticism, Sean Gordon Murphy at DC goes all in and actively embraces this criticism to bring us the new 8 part series – Batman: White Knight.
This comic was bought to us by:
- Writer, art and cover – Sean Murphy
- Colours and Cover Colours – Matt Hollingsworth
- Letters – Todd Klein
For those of you who don’t know, the premise of White Knight is simple. People realise how bad Batman is for Gotham, and the charges against him are lead by none other than his greatest nemesis – Jack Napier aka the Joker. He’s cured of his insanity and takes on Batman as Gotham’s White Knight, taking him on in obvious ways which Bats simply doesn’t see coming. The story opens with what feels like a fun tribute to Lego Batman – with the Joker trying to explore his relationship with a very reluctant Batman. The Joker is portrayed as Batman’s biggest fan, in a similar way to the outstanding Death of the Family series by Scott Snyder. The first issue largely deals with world building, setting up the key plot threads and exploring what makes this Batman the person he is (outside of the usual dead parents, Bat obsession and grumpiness etc.). DC appears to have given Murphy all of the freedom to critique the Bat and vigilantism in general, with undertones of real world polarised political debate.
Murphy took care of the art as well, this being his project and has set the bar very high across the board for himself. The art has a very cinematic feel to it, it feels like these could easily be the frames waiting to be put together for an animated film. Batman is drawn as a hugely imposing figure, there’s a particularly iconic panel early on where Batman and Jack Napier square off. The Bat comes off as monstrous, with Napier for once being calm and collected under pressure. The pale colour pallet used by Hollingsworth lends to a more down to earth feeling, where actions have consequences and people get hurt. Klein also has his work cut out for him with the lettering, there’s a lot of dialogue in parts of the issue and only so much page to fit it into. Klein manages to layout a dynamic format which keeps the reader engaged.
How do both the Dark and White Knight’s hands check out though? Hands only feature so much in this issue, in places lettering or the limited space for panels leaves them squeeze out on occasion. Where they do exist however, a large amount of impact is packed into them. I’ll have to dock a couple of points for scarcity though! 8/10 for hand drawing skills!
If any of you know the sort of comic I like, then it won’t come as a surprise that I really enjoyed this. I’m excited to see where Murphy goes with the plot, though unfortunately I have seen promising comics slip up before. If Murphy can keep this up though, I doubt that’ll be the case.
Score: 10 Rooms Full of Batman Memorabilia out of 10