Adam reads as many comics as he can afford. Then he reviews one every other week.
This week I’m revisiting the Modern Testament: Anthology of the Ethereal series by author and creator Frank Martin, Volume 2 of which I reviewed a while ago. Volume 3 is another collection of three short stories published by Insane Comics, each illustrated by a different artist. Each story in Modern Testament takes a biblical or mythological being and places them in the modern world, following how they adapt to our times and how they choose to aid or affect mankind.
The first story is ‘Shoulder Djinn’, illustrated by Lucas Urrutia and with colours by Ezequiel Dominguez. Tommy struggles with supporting his sick mother and falling behind with paying the bills, while hearing constant advice for what he should do from an evil red djinn on one side, and a good-natured blue djinn on the other. When it comes to breaking a few laws to get the money he needs, or doing the right thing, the two djinn confront each other. But it is down to Tommy as to which one he listens to.
Shoulder Djinn takes the old devil on the shoulder story and gives it a twist. Its a quick yet challenging story that questions the nature of influence and free will, and even brings into question whether Tommy is even hearing the djinn at all. The art is simple but evocative, with strong colour work that washes out when the djinn are talking, with just the two figures taking focus with their bright ethereal colours.
‘The Abandoned’ is the shortest of the three tales, drawn by Francesco Conte and coloured by Macarena Cortes. A mother chastises her son over his failing grades, leading to an argument about his absent father for what is clearly not the first time. A transformation in her son leads to questions about how human his father was, while darker questions about the nature of his conception also arise.
The second story in this volume was an effective tale, if a little heavy handed, looking at abuse, its long term effects and how people deal with them. Of all these stories so far, The Abandoned is the clearest example of using the mythological creatures to tell a story that could easily be told with regular people, making it that much more engaging. The art feels claustrophobic and heavy, with the brief transformation of the son taking on a hint of body horror before quickly receding, which made the story beat all the more effective.
Finally, following on from the theme in the final story in Volume 2, the third tale in this collection was ‘Down With the Sickness’, drawn by Joaquin GR and coloured by Matej Stasko, was about another Horseman of the Apocalypse – Pestilence. As with the story of War, this was again perhaps the most light-hearted story. Adam Prescott, CEO of the Apollo company, is dying. And to public outcry, he devotes all of the resources of his company to saving his own life. But his final doctor, Pestilence, has a few uncomfortable truths to reveal to Prescott about the nature of life and death.
The inevitability of the message behind Down With the Sickness was very strong, if pretty depressing. Of the three tales in Volume 3 this was the most entertaining, with razor sharp dialogue and wit. The art was low on action but the bold line work and skillful facial work made it stand out.
Modern Testament Volume 3 is another fun read with more strong dialogue from Martin and three interesting stories each with a morality to its core. All three art teams turn in very strong work, while remaining distinct and appropriate for the story too. You can check out Martin’s Facebook page here, or order Modern Testament direct from Insane Comics either physically or digitally.