Adam reads as many comics as he can afford. He missed reviewing them while he tries to write up his PhD thesis, so every other week he’ll be reviewing one, with potential minor spoilers.
More Marvel first issues! This week I picked up the highly anticipated Black Widow #1 from the team behind the critically lauded Daredevil run that ended in late 2015 – co-written by Mark Waid and Chris Samnee, with art by Samnee, colours by Matt Wilson (as I suspected, he does colour everything I’m reading!) and letters from VC’s Joe Caramagna. Black Widow #1 was published by Marvel Comics.
Natasha Romanoff is on the run from S.H.I.E.L.D. The super spy has taken something from her (presumably now former) employers, and their leader Maria Hill wants her stopped at all costs. This first issue picks right up in the middle of the action, as Natasha is declared an enemy of S.H.I.E.L.D. and she attempts a daring escape from a helicarrier, cutting a brutal path through scores of agents that are trying to catch and pursue her. We don’t know what she’s taken, but it must be incredibly important (and considering S.H.I.E.L.D. and Hill’s recent behaviour, fairly damning) for the organisation to disavow one of their most valuable agents.
Black Widow #1 is very light on dialogue, with Romanoff herself uttering a single line right at the end of the issue and most of the rest coming from the agents desperately trying to capture her. This serves to let the action come to the forefront of the book, with no one pontificating or dragging the pace down with exposition. Widow has taken something. S.H.I.E.L.D. wants it back. Go. The pacing and style therefore mirrors in a way the elevator scene in Captain America: The Winter Soldier, where Cap is suddenly faced with scores of agents trying to take him down. This feels very much like a direct and intentional homage to that, while simultaneously raising the stakes with regards to the action.
And the action is superbly drawn by Samnee. With both him and Waid co-writing the book, it seems that Samnee had a lot of input on the flow of the story and as a result the action within. Natasha wrecks agents left and right, silently and brutally taking down all comers. Despite the pace and dealing with multiple figures, many of whom are in the same uniform, the fighting never gets confusing or muddled. When the issue becomes a city-wide chase scene, the speed and intensity is palpable. The line art is bold and incredibly dynamic, with an excellent variation across the book. And god damn that double page spread of the helicarrier as a title page was beautiful.
I joke about Wilson seemingly colouring every book I read (and it’s not quite true, but close!), but with every comic he brings something totally different that fits and really enhancing an already great looking issue. There’s a vibrancy to the helicarrier escape as Natasha runs through (or breaks through) the sterile corridors, a washed out late-afternoon glow to the chase scenes and a moody, bloody end-of-the-film style hue to the sunset showdown at the end.
The first issue of the new run on Black Widow is an excellent display of a creative team at the top of their game. These folks know how to bring out the best in each other, and it shines in this book. Marvel needs to stop putting out so many books that I can’t stop reading. Pick this up at your local comic book shop or digital comics app now!
Score: 9.5 Jetpacks out of 10